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Showing posts with label Art Fair. Show all posts
Showing posts with label Art Fair. Show all posts

Tuesday, October 15, 2019

Korea International Art fair / Park Daa Won & Lee u fan


Korea International Art Fair 2019 Seoul

 
  


  
    Lee U Fan & Park Daa Won


A Canvas of Bold Brush Strokes
"Now Here" Painter Park Daa Won


Park Daa Won strokes her brush without reserve at a decisive moment allowing for no compromise. Her recent series <Now Here> obviously suggests the clues about what she has actually continued to pursue. Although it varies - rapid or slow, strong or soft - her brush stroke or her implicit display of power is very bold fundamentally. Here, no phenomenal world is hinted, and no world of the objects is not implicit in terms of the form organic or inorganic. So to speak, it is a kind of abstraction. Anyway, we need to make it clear here. That is, we can hardly approach her painting from the perspective of the abstraction in general. In her abstract paintings which cannot but be understood by intuition are contained her thought and meditation on universe and herself, nature and herself, or other people and herself. Thus, assuming that each of her abstract canvases has contained the figurative world she has long been concerned with in any way, we cannot but approach her paintings differently. We even are tense unconsciously, not knowing when a line or dot appears to imply such figurative world. Namely, it can be said that some situation that cannot be defined conclusively is always contained in her canvas. So, if we assume that Park Daa Won's <Now Here> series feature a space of moment when universe or nature or other people meet us, we will be pleased to see her paintings, while understanding her world of art naturally. In other words, we need to mobilize our intuition rather than logic to approach her paintings more effectively and earlier...............................................................................................................................................................

Tuesday, November 1, 2016

Art of Dansaekhwa / Now here in Blue / Park Daa Won


Art of Dansaekhwa  / Now here in Blue 2016    / Park Daa Won





Art of Dansaekhwa  / Now here in Blue 2016    /  Park Daa Won

Art of Dansaekhwa / Now here in Blue / Park Daa Won


           Art of Dansaekhwa  / Now here in Blue 2016    / Park Daa Won


         
       
             Art of Dansaekhwa  / Now here in Blue 2016    / Park Daa Won



         Art of Dansaekhwa  / Now here in Blue 2016    /  Park Daa Won




               Art of Dansaekhwa  / Now here in Blue 2016    /  Park Daa Won


   
              Art of Dansaekhwa  / Now here in Blue    /  Park Daa Won



                    Art of Dansaekhwa  / Now here in Blue    /  Park Daa Won

Wednesday, May 15, 2013

Park Daa Won - HONG KONG / Asia Contempoary Art Fair

HONG KONG / Asia Contempoary Art Fair


Now here in Blue, 2011


Park Daa Won出生于大邱,就读于岭南大学的设计艺术学科,学习绘画。
她是一位气质高贵,笑容优雅的漂亮女生, 但是在她的作品里却带有男性的好奇心。
“now here in blue” “now here becoming”在她那一系列具有男性趋向的作品中,表现出大胆,动感,活力,能量,这些不仅依靠她的笔锋来表达,还通过绘画的形象,空间和动静之间细微的紧张感来表现。
据史料记载,这样的男性趋向,起因于她小时候接触大量文人画而形成的审美学基础。文人画,传统上是依赖于男性,特别是朝鲜时代,文人画是靠男性支配的学者阶层来维持的Joseon Dynasty (1392-1910).


.妈妈开了一家美术馆,在这样的环境下成长的Park Daa Won,小时候就可以看到有名的书画家徐丙五(1862-1935的原作,这是幸运啊。
大学一年级的时候,又有了一次非常珍贵的可以看到私人收藏的岁寒图原作的机会。
岁寒图是金正熙优秀作品中的一个,金正熙(1786-1857)是朝鲜末期有势力的官员,有影响力的艺术批评专家,令人称道的最高名笔,是一位非常重要,非常有名的画家。
它是金正熙在济州岛归乡时期的作品,他把冬季天气全景细致的描绘出来。所以勾绘出更加严格的氛围, 此作品表达了作者内心的孤独和高洁。
.“now here in blue” now here-becoming” series不论是同时代的媒体还是语言,通过金正熙,我们可以了解韩国传统作家的本质。
当然,Park Daa Won,同时代的名笔有关,古代中国或东亚,blush-and-ink painting不只是同时代的韩国作家。



 Now here  - Park Daa Won
不仅是韩国作家,像Zao Wou-Ki (1920-2013) 这样的其他的亚洲作家, Georges Mathieu(1921-2012), Franz Kline(1910-1962) 他们为了表达自己的感情和内心世界,心理上的欲望,寻找得以认可的路,在东亚名笔和ink painting的传统中获得了灵感。
首先按照画家,名笔Sushih(1036-1101)创建的东亚绘画理论的话,与个人画家明显区分的一个方面是,是否能表现出自然精神或者作家的精神。
Park Daa Won,“now here in blue” “now here-becoming” series这个理论同时代的再解析,这个系列的各个作品都表现出各种抑制呼吸的动力,能量流动,感情,精神力量,作家内心的力量。这在观览者的心里存活或者再生产。
为了达到这样的状态,Park Daa Won干练地循环着必要的技术和技巧。
Park Daa Won那外观上爽朗,自然的笔锋,是经过数次联系的结果, 事实上,她同一条线不会描2次以上,绘出神速的形象。
她在实行计划的画作之前,要明确地映像出她想创作的形象。通过这样辛勤的联系,在“now here in blue” now here-becoming”里,她达到了在对统治的抵抗和自由之间细微的均衡。



Art of Dansaekhwa 
Now here - Park Daa Won / THE PAGE GALLERY



           Now here- Becoming




Art of Dansaekhwa   
Now here / Park Daa Won